An astronomy club gets caught up in a bizarre series of events at an old school building while trying to unravel the circumstances revolving around the sudden appearance of a mysterious transfer student named Yui.

Sequel to Mirai (2025)

Miu works as an outcall role-play hostess, but she is secretly a police detective's wife. Her husband, Junichi, is busy pursuing a bomber and rarely makes it home, leaving their own intimate life neglected. Although she tries to blow off steam through her work, her pent-up desires are on the verge of exploding. Then, a suspicious customer walks into the shop...

In Mirai (The Abyss), Gabriel Andrés De Simone works with striking economy, drawing on the visual and affective world of Ghost of Tsushima to shape a compact meditation on conscience under pressure. Beginning from a textual intervention, the film opens onto a reflection on what prolonged exposure to violence does to judgment, feeling, and moral resistance. Its brevity gives the work concentration. De Simone introduces friction into the game’s dramatic logic, shifting attention from action to aftertone, the emotional and ethical residue left once repetition has drained experience of its force. What happens when violence no longer registers as rupture but begins to organise the atmosphere of experience? Mirai (The Abyss) addresses that question with notable precision. Its mood is one of quiet corrosion. The work draws its force from restraint and from the sense that deeper forms of transformation often occur incrementally, through attrition. De Simone uses the game world to think through the dulling of response itself: the dangerous normalisation by which the intolerable becomes ordinary.

暂无剧情简介

暂无剧情简介

1962 Japanese movie

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Countless people have fled war and poverty and set off for Europe. Pharmacist Benno Winkler is uninterested in international developments; his own little world has been shaken to the core by the tragic loss of his wife.

暂无剧情简介